Photrade’s all new–a second look

In September of 2007, I reviewed a new site meant to help photographers sell their photos in An In-Depth Look at Photrade at BlogHer. The review was pretty critical. I had a lot of usability problems with the site.

In the months since then, Photrade has been through tremendous changes in an effort to become something more usable, and more appealing. I took a second look today. I found a great many improvements. I also found that there are still some usability issues.

Photrade home page

First, the site as a whole is much more attractive and inviting. In this, they have succeeded admirably.

The internal tools for managing your photos, setting prices, adding tags, and uploading are in general much better. Image uploading is easy now and it was a nightmare before. I did encounter some problems, however,

First, the design is an inflexible size. I had to enlarge the font to read the page. When I did that, nothing fit. Here’s what happened to the upload images page when it was bumped up to only 110% zoom.

The Photrade page zoomed

Everything is pushed off to the right and cut off. Not what they intended at all. If I went back down to 100%, I could see the intended layout, but I couldn’t read the text.

The site relies on popups for processing things like adding tags to photos, setting price options and more. Sometimes these worked. And sometimes they just didn’t work. I don’t know if it was an issue with popups or what–some just didn’t work. Maybe it was my combination of Firefox/Mac that didn’t work, although I set it to allow popups on this site.

For example, when you are in the Manage Photos area, there is an option to add Permissions, either as a privacy setting or a watermark. When I clicked this Permissions button, my screen was covered with a grayish overlay that I presume was supposed to contain something for setting permissions. But there was nothing there and no way to remove the overlay from the page short of reloading the page afresh.

The gray overlay

A great new feature of the site is a blog for photographers called Hyperphocal. I can imagine this becoming a valuable resource for photographers with tips, support, tutorials, and all sorts of information.

Hyperphocal

All in all, Photrade is a much better site that it was back in September. The site is close to solving most of its problems. I think photographers can use it to sell photos successfully. They offer ad revenue options that can help photographers, too. And there are lots of ways to show your photos in other places besides Photrade such as your own blog that will bring people back to Photrade to purchase. The Hyperphocal blog is a good addition.

If you are interested in selling your photos, give Photrade an evaluation of your own. You may find it suits your needs.

An early look at Aviary

The invitation only preview of Aviary is open for testing. My invitation came from Shelley, who wrote her own review of Aviary. I’m not going to read her review until I write mine. She has a much more critical and discerning eye than I do, and I don’t want to be influenced by her opinions. (I have 5 invitations, leave a comment if you want an early look, too.)

First point to make about this image editing and pattern making online app is that it’s free. I spent a long time just playing with the home page, which responds to mouse movements, before I even signed up and took a look at the tools. It uses AIR. I already have AIR installed on my computer, so Aviary didn’t ask me about downloading and installing it. I’m assuming that if I hadn’t already installed it, I would have been directed to do that. It also uses Flash, but the presumption these days is that pretty much everyone has Flash installed.

Here’s the dashboard.

a.viary dashboard

From the dashboard, you can view other people’s work, collaborate on something, go to the forums, or select one of the two main editing buttons from the upper right: Image Editor or Pattern Maker. I started with Image Editor, which Aviary calls Phoenix. My daughter is named Phoenix, I could hardly start anywhere else, now could I? In addition to the two that are up for testing now, there are a number of other tools on the way such as Hummingbird–a 3D modeler, Starling–a video editor, and horus–a font editor.

The image editor opens in a new window. When it opens, you can select a new image or start from scratch. Take note of the familar looking image editng palettes on the right with blend mode and history. The top palette is contextual. Sometimes it shows layers or properties. On the left are tools such as selection tools, paint tools, shape tools, and text tools. In the bottom left corner, there’s a switch foreground/background button. Anyone who has used Photoshop, Fireworks or Paint Shop Pro will feel right at home with these familiar icons and palettes.

Image Editor opening screen

I go with Start from Scratch and accept the default image size and transparent background. I open the shapes submenu, select a rectangle, and click the color box to choose a new color. When I click OK, the shape is placed on the workspace. I can move it around with the transform tool, which would also let me perform various other transformations.

expanded shape menu

I add a gradient background, a reddist rectangle, and a star. I throw some smudge around the edges of the star with the smudge tool.

image in progress

I add some gears, some text and decide I’m finished. The text tool was hard to work with. There were limited fonts. I also noticed, when looking for help with the text tool that the help files aren’t populated yet. I’m sure this will be fixed before Aviary reaches a public state, so I’m not worried about it.

the finished creation

I save. I’m asked for a title, but don’t get any choices about where to save. When I close the editing window, I see the image saved in the My Images area I reach from the Dashboard. I double click the image and it opens in the window shown immediately below. Here, I can reopen it in Phoenix, copy some code to embed it elsewhere, or insert information related to the image in forms at the bottom of the page (barely visible in the screen shot.) One of the settings allows me to say who can edit the image—everyone or no one.

image details interface

An options shown in the screen shot above is URLs to Embed and Share. One is This page. the other is on the Aviary Forums. Here’s the URL to embed this page. If you visit the page, you find a comment box, but you must be logged in to comment. Because I was logged in to this page, there is also an “Open in Phoenix” button, but this wouldn’t be available unless a) you logged in, and b) you had premission to edit my image.

Another important function found in the My Images area of your account is the ability to upload images from your computer. When you upload, you can set viewing permissions and and editing permissions.

Now for a look at the Pattern Maker, which Aviary calls Peacock. I don’t have any daughters named Peacock, but it was my aunt Elizabeth’s maiden name. They’ve given their tools whimsical names, but I’ll be I remember these two. Here’s the Peacock editing screen.

Peacock editing

The tools are in accordion panels on the left. At this point, several of the tools use the same icon. These tools are nothing like what you might be familiar with from Photoshop or Fireworks. As I understand it, the tools are to make patterns that you intend to repeat or tile. The blog entries for Peacock show some really incredible stuff made with this tool, but I couldn’t figure out how to get started. A tutorial would be valuable, and is probably in the works for all the tools.

I managed to drag a generator icon for fractals onto the canvas. The active tool is connected to the image by a line–why I don’t know. Although I tried to apply some of the effects and use the controllers among the tools, I couldn’t figure out how to use them. I saved and left this page editable by everyone, so if you can figure out the pattern maker better than I did, feel free to do some editing to this image. Just leave a comment about what you did.

Other features of the site include setting up friends and favorites among the other imagery artists on the site, and being able to access your friends and favorites from the dashboard.

At this point, with only two tools online, I feel I hardly scratched the surface of what Aviary is going to be able to do in the hands of a creative person. They have a long ways to go to reach the point of public release, but I have a feeling this is going to become one of the most important creative tools on the web.

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Smackdown: Picnik, FotoFlexer and Photoshop Express

Photoshop Express is now free online. FotoFlexer is another newcomer in the online photo editing space. Picnik has been in the online image editing world for a while. They all claim to be the “easiest” and the “best.”

Time to check them out, kick the tires, and see which one I think is the easiest and best.

Picnik

I’ve been using Picnik for a while. I use Flickr, and Picnik is integrated with Flickr. I sometimes upload photos to Flickr in a hurry, without any type of pre-upload primping in iPhoto or one of my locally installed image apps such as Photoshop and Fireworks. Once the photo is on Flickr, it’s easy to edit it in Picnik. Here’s a photo from Flickr, opened with a single click in Picnik, with the Picnik editing tools arrayed above it.

Using Picnik's editing tools

The tools include Auto-fix, Rotate, Crop, Resize, Exposure, Colors, Sharpen and Red-Eye. These tools are all available in the free version. The paid version includes other tools as well.

I don’t want to give the impression that Picnik only works with Flickr. You can also edit photos from your own computer, from a web site, from a Yahoo search, Web cam photos, MySpace, and more.

Is Picnik easy? Definitely. Is it good? It does any basics that I might want to do in iPhoto before I upload. It doesn’t do advanced Photoshop tricks like layers and masks, but I don’t need that in an online photo editor.

FotoFlexer

I’m brand new to FotoFlexer. It’s simple to get started. You can choose to work on a photo from an array of places (Flickr among them) as you see in this image.

FotoFlexer interface

As soon as I had a photo up to edit I realized that there were many more editing options, some very sophisticated, compared with those on Picnik.

There are multiple toolbars range from the Basic choices you see in the following image, plus tool bars for Effects (Blur Edges, Blueprint, Greyscale, Invert, etc.), Decorate (stickers, font choices, color fills, thought bubbles, etc) Animations (animated stickers, etc), Beautify (sharpen and smooth), Distort (bulge, pinch, etc), Layers (opacity, grouping, merging, etc.), and Geek (smart scissors, morph, etc.). I’m thinking, this is really nice.

The FotoFlexer menu bar

I tried a few of the tools in the menus. Easy to use. Then I decided to save. At this point I started to lose my enthusiasm. The only place to save was online, in a folder at their site. (Maybe this was because I was editing a photo from my computer.) Once the photo was saved online, I couldn’t find any way to export it to another site. That’s when I realized that the interface is using Flash–I tried to use a Ctrl-click (right click) to copy the photo to my computer and saw an “About Flash Player” message instead of the desired “Save this image” message.

To test my idea about the Save only at FotoFlexer problem being caused by my choice to edit a photo from my hard drive, I tried another one, this time from Flickr. I had to tell Firefox to allow popups from FotoFlexer, or I couldn’t log in to Flickr, which happens in a popup. That small hurdle crossed, I edited a Flickr photo and saved. Again, saved on their site, and no option I could find to export the photo to any other location.

I’m thinking, what good are all these cool tools if you can’t use the photo anywhere? There’s a question mark icon—ah, Help.

Nope, it isn’t Help, it’s for feedback. So I leave this message as feedback.

Why can’t the photos I edit on FotoFlexer be taken to another location? You need to provide some code or link of some sort so the photos can be used elsewhere. Answer fast, I’m reviewing the site on http://www.webteacher.ws soon.

We’ll see if they answer. Maybe the way to do what I want is on the site already, but I can’t find it.

Photoshop Express

Photoshop Express has Flash on the opening page. Well, okay, it’s a Adobe thing, right? Nevertheless, I’m on the alert because of the issues with Flash from FotoFlexer. This is a brand new online offering from Adobe, I’m trying it out today for the first time with a lot of other people.

I click the “Join Now” button to get started. There’s a long wait looking at a blank page. The status bar says something is downloading from Macromedia. Eventually, the status bar says “Done” but the screen is still a blank, empty charcoal gray. I back up, click the “Test Drive” button instead with the same results. Finally, I try “Browse Galleries” and still get a blank gray screen. Then I notice in the title bar that I’ve gone to a Flash Player Installation page, not an editing page. I look at View Source and see all sorts of scripts checking for Flash.

This is getting ridiculous. I close Firefox, thinking maybe some new version of Flash was just installed and I need to reopen the browser. Okay, try again. Same lovely charcoal nothing. All right, I can’t just give up, I’m writing a damn review here!

I launch Safari. Guess what? It works. Is Safari hot or what? I enter all my registration info, including a personal URL name at photoshop.com, which sounds like another “you can only publish here” sort of deal. Next, I wait for mail from Adobe to confirm my email.

I’m finally in. Here’s the opening screen.

Photoshop Express Opening Screen

I start by uploading a photo. It goes straight to my hard drive. No chance of any other options. I can choose to upload it to an album (I don’t have any yet) or my default library. Once the photo is in my library, I merely double click it to edit.

Here’s the editing interface. The menu is on the left, and includes Basics (crop, red-eye, rotate, etc.), Tuning (sharpen, fill, balance, etc.), and Effects (pop color, tint, sketch, distort, etc.).

The Photoshop express editing interface

I change a few things, including pop color–wanted to know what it did–and click Save. It saves in my library (no other option is offered) and replaces the original with the edited image. Back in the library, I click a pulldown menu and see a number of options.

Photoshop Express photo options

I pick “embed” and am told that the embed code has been copied. I paste it right here:

w00t! I can edit AND use the edited photo where I want. After all that agony getting started in Firefox, I’m happy with Photoshop Express at last.

I click a “My Gallery” button and find that this is why they asked for the somename.photoshop.com when I registered. I can create an album in my library and share it at this public URL. Good feature that incorporates both editing and sharing in one spot.

Some conclusions

Picnik I already liked for ease of use and convenience. Comparing it with FotoFlexer and Photoshop Express hasn’t done anything to change my opinion on that. It may not be fair to say that it has fewer bugs, since FotoFlexer and Photoshop Express are relatively new and haven’t had time to work things out yet, but I’m going to say it anyway.

FotoFlexer has very impressive editing tools, but unless I hear from them about my feedback and find a way to make use of the edited images on my own blogs and sites, I don’t have much use for their services. If this is fixed, there are some super nice effects available among their editing tools.

Photoshop Express should work in Firefox. That it doesn’t is not acceptable. That Adobe launched today without making sure it worked in Firefox is unbelievable. Just because I love Adobe and am an AdobeQuerque community expert, I’m going to assume that this will be fixed. If it is, Photoshop Express will be a valuable online editing tool and photosharing site for many people.

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Today’s Useful links

Ensuring your HTML Emails Look Good and Get Delivered by David Greiner at Think Vitamin is informative on its own. Its also part of the new Email Standards Project campaign to bring mail apps into the standards fold, so you’ll find out what some of the current problems are in getting HTML email to look good.

Tiny Bubbles: SVG Version at Burningbird requires that you watch what happens for a couple of seconds. It’s a good demo of the very interesting effects Shelley Powers has done on her blog with SVG (Scalable Vector Graphics). The clock in the sidebar is created with SVG, too. She has a book coming out from O’Reilly about SVG very soon.

Google Information for Webmasters tells you how to remove websites, cached pages, dead links and other material from the Google index. You can only remove your own info, no one else’s.

The Story of Stuff with Annie Leonard is a “20-minute, fast-paced, fact-filled look at the underside of our production and consumption patterns.” This film makes me think of a serious problem that prevents change: we operate out of a split mind. One side of our mind wants to consume, consume, consume for the lowest possible cost. The other side of our mind wants to do the right thing for the common good and the planet. But acts we take as a money-saving consumer are exactly the wrong thing for the common good and the planet. We need to talk about and deal with this split between our behavior and the desire—no, the urgent need—to do the right thing.

Got Fear? This site was set up to prepare for the upcoming session “Who’s Afraid of Blogs, Wikis, Podcasts, and the Big Bad CMS? A Digi-Drama About Fear 2.0” at the January 2008 annual meeting of the EDUCAUSE Learning Initiative. They want to hear from you about your fears (and the fears you’re observing at your institutions) about the role of Web 2.0 tools and technologies in higher education.

An Interview with New Mexico’s Dynamic Duo

New Mexico is a small state, with a small population, and very seldom the top item on most people’s radar. Nevertheless, it’s home to two of the most dynamic women you could ever hope to be awed by. I thought you’d like to get to know them.

Best in the SW web page

Elaine Montoya and Becky Padilla are both the inspiration and the perspiration behind Best in the SW : : Flash Animation and Motion Graphics Conference. This three day conference, held in Albuquerque, NM, grows in stature and attendance each year. It is attended by Hollywood animators, motion graphics designers, VFX artists, and broadcast designers as well as graphic designers and in-house artists.

These two women are electrified with creativity. They put ordinary multi-taskers to shame, and frequently use the word “passion” to describe their work.

The two envisioned the Best in the SW conference as an outgrowth of the NM Adobe User Groups. It began as a Flash animation and motion graphics contest with Adobe software as prizes, and has ballooned like the hot air balloons that fill the Albuquerque skies at the same time as the Best in the SW took place in 2007. Hotel rooms are hard to find during the Albuquerque International Balloon Fiesta, but Elaine and Becky made sure they had plenty for the conference particpants.

NMAUG web page

As leaders of the NM Adobe User Groups, Elaine and Becky serve as Adobe community liaisons. Their tasks range from creating a community for designers, web-developers, animators and motion graphic artists to providing educational opportunities. They also arrange various types of outreach, such as integrating expert seminars and presentations from the AdobeQuerque Community Experts into the University of NM Continuing Education offerings.

(Disclosure: Yep, that’s my funny face. I’m one of the AdobeQuerque Community Experts.)

Zocoloco web page

Elaine and Becky are the principals of Zocoloco Studios, a design firm specializing in motion graphics, web development, and print design.

To celebrate Elaine’s fifth year as a breast cancer survivor, they are putting together yet another event, Code for the Cure.

We conducted an interview by email, starting with a list of questions.

Question: This year’s Best in the SW was a big success. What were some of the high points for you?

ElaineElaine: We were very pleased with so many aspects of this year’s event. It far exceeded our expectations. I think one of the things that excited me the most was being able to provide amazing, high-caliber talent to present at Best in the SW. Our lineup included artists who design screen graphics, title design, and visual effects for major motion pictures; create broadcast design for all the major networks including ABC, NBC, FOX, A&E; and work as animators for Disney, Nickelodeon, and Cartoon Network.

Almost every attendee told us they were planning to come back in 2008—and that they plan to bring co-workers with them. A common thread in the post-conference survey we conducted was that they loved the intimate size of the conference. They felt that everyone was accessible—from the speakers, to the producers, to the software gurus at Adobe—everyone was approachable and available. This was something we were aiming for with Best in the SW. We wanted people to come and feel like it was not just a conference, but an experience. We think we succeeded!

Question: How did you divide up the chores in organizing such a big conference? How long did it take you to do it?

BeckyBecky: In 2006 we produced the first Best in the SW. It consisted of a one day statewide mini-conference, and a Flash animation and awards competition. The competition was open to artists throughout the southwest quadrant of the United States, including New Mexico, Arizona, Texas, Colorado, Oklahoma, Utah, Nevada, and southern California, When we were making the decision to expand the conference to an international level, bringing in some of the top talent in the industry, we had no idea it was going to take as much work as it did. The workload was exponential compared to the previous year.

Fortunately, our talents and skills are quite similar, so both of us were able to pitch in and work on any and all aspects of the conference—from designing the graphics, to developing the website, from getting sponsors, to working with post-secondary schools and negotiating contracts with vendors—we both took an active role. From the day we decided to put on the conference until the day our last speakers left Albuquerque, it pretty much consumed our every waking hour.

Question: What’s a tip you could give to other conference organizers?

ElaineElaine: Think about it seriously before you commit. It requires an inordinate amount of time and commitment, not to mention a substantial financial liability. Many of the conferences that take place today are produced by companies that specialize in conferences, it is their business.

We aren’t an event planning company. In fact, Best in the SW was our initiation into event planning. Our advantage though, is our passion for the content—we both love animation, motion graphics and broadcast design. We believe our passion came through to the attendees. Best in the SW wasn’t just another ‘post-production’ conference. It was unique. It was intimate. Attendees were able to interact with the speakers, who happened to be some of the top talent in the industry. It was down to earth. It was an extension of our passion. We believe this is what made it a success.

Question: How long have you been running Zocoloco Studios and how did you get the business started?

ElaineElaine: I started the business in 1985, I had been working as the Art Director for Manfredi, Mulhern, and Luztker—an advertising agency with offices in Albuquerque and Phoenix, when I decided to go out on my own. I started Art Department. MM&L as well as several other agencies I had worked for, were my first clients. The Art Department served as an extension for ad agencies and provided graphic design services.

In 1990 Becky and Steve Levengood joined the business as partners. We made the decision to pursue corporate clients. We were young and believed the only way to have respect in the ‘corporate’ world was to have a corporate name. The name was changed to Montoya, Padilla, Levengood. We got the corporate clients, including Qwest, Standex, as well as other nationally known companies. But the truth was, our personalities, our way of working, and our passions were far from the traditional corporate model. After a year or so of using our ‘corporate name’, we decided it was time for something more expressove—more playful. We came up with the name Zocoloco Studios.

Steve decided to move to Colorado and further his education in the field of international marketing. Becky and I continued to grow Zocoloco Studios. This was a time of major technological advances in the field of design and the start of the internet. In addition to print design, Zocoloco Studios expanded into the fields of broadcast, video and the web. We have won numerous awards for our work over the years, and have been published in HOW Magazine and other national publications.

Today, our projects combine our interest in motion graphics, animation, and video. We integrate new technologies that provide our clients with modern-day sources of content distribution, from online Flash Video, to podcasts, to desktop Adobe AIR applications. We see Zocoloco Studios as a balance of passion and creativity, humanity and technology.

Question: What advice would you give a woman who wanted to go into business for herself?

BeckyBecky: I would have to say that the first requirement to starting your own business is to have a passion for what it is you are doing. If what you do brings you happiness and self-worth then you’re well on your way. You’ll need perseverance because you will be spending many more hours working on your own business than you ever would working for someone else. And rightfully so! You gotta love what you do.

Second. Develop a comprehensive business plan with room for flexibility and change. It’s a navigational guide to keep you moving forward even when you think you aren’t.

Get a mentor. I guarantee that there is someone else out there who has done some of the very things you are attempting to do. Do NOT be afraid to ask for advice. What did that person learn from a similar experience that could help you in a situation you may encounter? Their answer(s) may save you valuable time, money, frustration, and heartache. It’s also an opportunity to establish a solid professional business relationship that can be mutually beneficial to you both. If you don’t have a mentor yet, find one or two. My mentors are my “angels.”

Building a business is very fluid. Keep an open mind and be willing to learn. This will allow you to look with fresh eyes and make decisions based on what you see.

Have fun! It’s a lot of work to run your own business, so build in some motivation whether it’s money, travel, massage or that carbon fiber road bike you’ve been salivating over.

Question: What’s your background? Where did you grow up? Go to school? Have you always been in the design business?

ElaineElaine: I am a native of Albuquerque. I attended Albuquerque Public Schools, graduating from Del Norte High School. I always enjoyed art as a child, particularly drawing animated characters. Snoopy was one of my favorites. I started working in the field of graphics at the age of 14 working at a local printing company. This was my first exposure to graphic design. While I really enjoyed it, I never thought of it as a career. Upon graduation, I was the recipient of a NASA scholarship for Electrical Engineering and Computer Science at the University of New Mexico. Several years into the program, I knew my heart wasn’t in it. I wanted something with more creativity. Switching majors, I graduated from UNM with a Bachelor of Liberal Arts.

While attending UNM, I continued to work in the field of graphics. First as a production artist at several different printing companies, and later the Graphics Coordinator for Albuquerque Public Schools. I was grateful for the education I received at UNM, as it expanded my awareness and knowledge in many regards. But, I still didn’t know what I wanted to be when I ‘grew up’. I knew I thoroughly enjoyed graphic design, and had strong natural abilities in this area. I made the decision to further my education in the field of graphic design at The Art Institute of Colorado.

After graduating, I moved back to Albuquerque and served as Art Director for two different ad agencies before going out on my own. An interesting thing started happening in the early 90s—technology and the convergence of media. Though I would have never guessed it at the time, my two degrees were now a match made in heaven. The ability to program and the ability to design are a rare, but valuable combination. Maybe it was fate. I feel very blessed—I am one of the lucky ones. I never had to work in different fields—I have always worked in design.

BeckyBecky: I’ve always been an artist. As a young child growing up in southern California, I experimented with various methods to express myself visually. Over the years I’ve used combinations of drawing, sculpture, photography, printmaking, mixed-media, video and audio. Bold colors, simple shapes, typography and spontaneity inspire my design.

I attended Arizona State University and graduated with a Bachelors Degree in Art/Design – with and emphasis on 3D. Even though most of my work today is 2D, I continue to be intrigued with 3D and love exploring 3D technologies.

I love to “doodle” while I’m on the phone. It’s always fascinating for me to put the pen to whatever piece of scrap paper is available and ultimately be amazed at what it becomes—usually something intricate, beautiful and odd at the same time. I love that!

I have been a professional designer for 20+ years. My forte is print, website and motion design. I’ve worked at large corporations, small design firms and higher education institutions. I’ve owned two businesses and just finished the successful first year of Best in the SW.

Question: The NM Adobe User Groups (NMAUG) is recognized as being one of the best user groups in the country. How did you make that happen?

ElaineElaine: Through hard work and listening to the needs of the community we serve. I took over the organization about 5 years ago. It had gone through its heyday around 1997/98 but then was in decline. User Groups nationwide experienced this phenomenon, so it was not unique to our organization. We believed it still could play a valuable role in our community, and that it was important for our community to define that role.

Each year, we have been tweaking, and modifying to fit the needs of our community. After the Macromedia and Adobe merger several years ago, we saw a need to expand into print design, and AdobeQuerque was born. At the same time, due to the rapid growth in the film industry in NM. We made the decision to launch Motion Graphics ABQ. Currently, the NM Adobe User Groups serves as the parent organization. Our programs serving the web-development community are co-directed by Damian Taggart of Mindshare Studios in Santa Fe, and myself. Our programs for print designers fall under AdobeQuerque-which Becky coordinates. And our motion graphic and animation programs fall under Motion Graphics ABQ, which I coordinate.

The people we work with at Adobe are wonderful. Ed Sullivan, from the Boston office is in charge of the Adobe user groups worldwide. He has been very supportive of our efforts, and has recognized us along the way. Additionally, two years ago I was selected by Adobe to be an Adobe Community Expert. This program is run by Christine Lawson, also in Boston. She too has been very supportive of my efforts in the community. Without their help, NMAUG, AdobeQuerque, Motion Graphics ABQ and Best in the SW would not be what they are today. I am very grateful.

BeckyBecky: I think by approaching the user group concept from a different direction, we have been able to make it is what it is today. Instead of adhering to the traditional concepts of what a ‘user group’ is, we have taken it upon ourselves to re-create the concept to fit the needs of our community. Our focus has been on partnering with existing organizations in our community—from local universities and community colleges, to local retail vendors. From our AdobeQuerque educational series we offer through UNM Continuing Education, to co-sponsored events with the ARTS Lab or our local Apple store, it widens the scope of what a user group is. We have found by working together, both the NM Adobe User Groups AND our partners, are able to better serve our community.

Question: I know you participate in the SXSW Film Conference. What other conferences do you attend or enjoy? Do you learn any tricks as a conference participant that help you when you’re the organizer?

BeckyBecky: We have attended a variety of conferences over the years. Our favorites have probably been FlashForward, Adobe MAX, FITC and NAB. We attended the first FlashForward conference in 2000, which I would have to say was my overall favorite. It was a great event! The excitement around Flash at that time was huge, and to be caught up in it was thrilling.

This year it seemed like we attended a conferences a month all over the United States. The travel became very tiring. But we watched, we learned, we saw what we liked, and what we didn’t like. We saw what worked and what didn’t work. Since neither of us had a background in event planning, this served as our education.

But the truth is, we learned most everything by rolling up our sleeves and just doing it. There is no experience like first-hand experience!

One of the questions we were asked repeatedly at this year’s Best in the SW was why we decided to start Best in the SW. While we enjoyed many aspects of each of the conferences we attended over the years, none of them were our ‘dream’ conference. Most of them focused on technology, or on skills, with very little emphasis on creativity—or as we call it, ‘the art of it’. Our hopes were that we were not alone in this—and that there were many others like us out there who had a passion for the creative. We believe it is a unique niche and from what our attendees told us, it was something they had been waiting for.

Question: What do you do to relax and have fun?

ElaineElaine: We are both into cycling, and that is pretty sweet. This year, I celebrated my fifth year as a breast cancer survivor. Cycling is something that makes me feel healthy, strong, and psychologically it makes me feel like I can continue to beat cancer. Not to mention, I love it! I also enjoy reading, painting, piano, eating at great restaurants, watching movies (especially animated features) and wonderful spa treatments!

BeckyBecky: I LOVE to relax! But I find it difficult to do on a regular basis because I’m working a lot on many projects at once. However, my daily highlight is to walk my Akita, Zephyr. The walk gives me time to ponder the natural world and to drain my brain of superfluous stuff. I like to read both fiction and non and watch DVDs on the big screen TV at home. For fun…I like to ride my road bike, “the red rocket!” I love the way I feel when I’m going fast and it’s my body that’s making that happen. I enjoy yoga, acupuncture (I know, weird) and spa treatments.

Question: What question did I miss that you want to answer? Ask yourself the question and answer it, too!

ElaineElaine: The question that comes to mind is . . . what’s in store for 2008? I am glad you asked.

First, for the NM Adobe User Groups, Kevin Hoyt from the Adobe Platform Evangelist team will be presenting on Adobe Flex and AIR. We are very excited that Albuquerque was selected for the spring Adobe Flex/AIR tour. This is a great opportunity for developers, designers, and students throughout NM to learn about these remarkable new technologies, and new opportunities that are being created. This is a free event, and everyone from the region is invited to attend.

NMAUG, AdobeQuerque and Motion Graphics ABQ, will continue offering our AdobeQuerque Expert Series through UNM Continuing Education. Topics cover many of the applications offered in the Adobe Creative Suites CS3.

We will be ramping up Motion Graphics ABQ starting in 2008. Meetings will consist of demonstrations, or tutorials in the area of motion graphics, animation, broadcast design, film, or video; networking with colleagues; discussions on business aspects including pricing and setting standards for our community; and show-and-tell, where individuals or students can show a project they are working on, or their reel. With the rapid growth in the motion picture industry in NM, we hope Motion Graphics ABQ continues to grow and become a valuable community resource.

Code for the Cure web page

Finally, we are very excited about a new program we will be offering this year, Code for the Cure. Here’s the basic concept: Teams consisting of one designer and one web-developer will be established. Ad agencies, design firms, and in-house companies are encouraged to put together a team. The goal for each team is to create a website for a local non-profit or ‘qualified’ new entrepreneurship in one week. Through our partnership with a local non-profit business development organization, they pre-screen companies and/or non-profits that are eligible to participant as a ‘website recipient.’ Each recipient is required to pay a nominal fee to participate, generally, much lower than they would be paying if they had to pay full price. All monies received will be donated to the Lance Armstrong Foundation, to support their cancer survivorship initiatives. One design/development team will be selected as the grand-prize winner. The team developer will receive the Adobe Creative Suite 3 Web Premium, and the team designer will receive the Adobe Creative Suite 3 Design Premium. The event is scheduled to take place in May.

Secondly, what’s in store for Best in the SW? We’re already working hard on plans for the 2008 Best in the SW! We have been talking with many of the speakers who will be presenting at this year’s event, and will be sending out our official call for speakers in January. Starting February, our Call for Entries for the 2008 Awards will begin.

We are excited about this year’s event! We’ve taken everything that made the 2007 event a success, and combined it with valuable suggestions from attendees and sponsors, to put together another outstanding event. The format will be a bit different than the past and some new content areas are being added. We still plan to keep the event small so that we can maintain the high-quality, and intimacy.

We also hope that more people from NM take advantage of this year’s Best in the SW. Surprisingly, in 2007, 85% of our attendees were from out of state. Attendees represented a variety of companies including American Greetings, NFL, Apple, and Verizon. Hopefully, more NM companies and residents will take part in this opportunity right on their doorstep.

Our website is in for a lot of changes. We will be adding online content starting the first of the year. Topics covered will include animation, motion graphics, broadcast design, title design, sound design, Flash video, podcasting, and much more. Subscribe to our newsletter if you’d like to be aware of the latest news.

BeckyBecky: So you want to know how to get involved?
– Attend the NM Adobe User Groups sponsored events, including AdobeQuerque and Motion Graphics ABQ. Check out www.nmaug.com to find out what’s going on.
– Volunteer to present to one of the group. We all like to see what people in the community are doing. You can email me (beckyATadobequerque.com) or Elaine (elaineATnmaug.com) if you’re interested.
– Tell your peers, co-workers and friends to become involved. Learning new things only enhances our skills individually and collectively.
– Share your reel or the current project you are working on at Motion Graphics ABQ.
– Put a team together to participate in Code for the Cure. It’s a win-win situation for all involved, and a great way to give back to your community.
– Last, but not least, the odds are high that you will come away with some pretty decent swag in addition to the new skills you’ll learn.

As for Best in the SW:
– Go to the website and create an account to receive news on the great lineup of presenters and sessions.
– Learn from our online content that we will be offering starting 2008.
– Interact in our online discussions.
– Get your work shown through the Best in the SW website.
– Share your skills with others by providing content, and/or applying to present at the 2008 Best in the SW.
– Register early to attend the 2008 Best in the SW. Attendance will be limited to 360 attendees!

Cross posted at BlogHer.

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Women and The Future of Web Design Conference

FOWD logo

The Future of Web Design (FOWD) Conference was held the week before Thanksgiving in New York City.
One of those in attendance was Kristin Vincent from Webgrrls.

Kristen came home from the conference and wrote a visionary post called The Web’s Future: Peering into the Crystal Ball. She summarized some of the highlights of the conference, but she also went beyond that and gave her own ideas on where things are headed in the web design world. Or as Kristen explained it,

I heard some smart, inspiring speakers, but overall I felt the conference played it a little safe and didn’t lean forward enough to look over the cutting edge. Presentations focused on topics such as:

* How sites are now utilizing AJAX to allow for more dynamic interactions without page refreshes
* How we can design better sites for mobile devices, which are sweeping the globe at a surprising rate
* How user-generated content like blogs, tags, and comments are taking over online spaces

I felt they were filling in the details of a landscape that had been growing on the horizon for a while. I went home that night dreaming of uncharted territory, of things that are still beyond the next hill.

Her first look into uncharted territory reveals her crystal ball for AJAX.

In the future, we will see modules on the page that are triggered to appear dynamically as a result of user actions. These modules will contain content from multiple sites. The number and arrangement of modules on the page will be rules based, and the possibilities will be infinite because designers can’t possibly predict or plan for the series of user actions that will kick off different combinations on the page.

Joshua Davis, the first speaker at the conference, talked about the idea of computational design in art, where he builds design rules and elements of randomness into a program and then runs the program to create artwork. But I’m speculating about a new implementation of computational design that was not influenced by programmatic randomness, but by actions performed by users. And instead of creating art, this would create new transactional e-commerce or learning spaces.

On the topic of mobile devices, Kristin polished her crystal ball to a real sheen. She says,

Now that the device is handheld, lightweight, and easily manipulated, people will want to use it to interact with their physical environment. We’ll be able to point it toward a building and pull up that company’s site or information. (This has already started happening in Asia.) We’ll be able to scan UPC barcodes to add items to an online wish list or to have the item automatically shipped to our homes.

As designers, we are currently limited in how we design for mobile devices because of the small screens. In the future, the screens will be able to stretch or unfold so we can view the full 17-inch monitor size. Or maybe they will become more like projectors and project a full-size screen on the wall or desktop. Keyboards will also need to scale. Mobile devices will beam holograms of keyboards so we can type on virtual keys on any flat surface.

That’s pretty exciting sounding stuff. Kristin also had some thoughts on a topic dear to the hearts of BlogHers: user generated content. She predicts,

User-generated content is going to spill outside the Internet arena. As you peruse the cable menu on tv, you’ll be able to see what other people thought of a show to help you decide whether to set your DVR to record it. As silicon chips make their way into paper, newspapers and books will have a place where customers can pull up the latest comments. For instance, I have a favorite recipe of chipoltle nachos with avocado cream dipping sauce that I like to make, and I’d like the option to see what people who like this recipe recommend I also try. I don’t want to pull it up online; I want it to appear in context in my cookbook and to be up to date each time I pull out the recipe.

Kristen didn’t comment on the gender of the speakers issue at FOWD. I took a look at the speakers list out of my own need to satisfy my inner accountant. The conference had the usual dismal ration of male to female speakers. There were three women on the panels.

One of the speakers was Cindy Li from The Adventures of Cindy Li. Cindy is an illustrator. At the conference she talked about using illustration for attraction and value on a web site. Her post about the conference is FOWD 07 New York: Beautifying the web with Illustration.

Another female conference speaker was Jina Bolton from JinaBolton.com. She hasn’t blogged about her experience there, although she did make mention of her plans to be a speaker. Jina talked about the future of CSS. That sounds like the most interesting topic at the whole conference to me, and definitely creates a harmonic convergence in the geeky recesses of my psyche.

The third female speaker was Lea Alcantara. She spoke about branding on the web. Her post about the event, Future of Web Design Wrap-Up contains her impressions of the conference and a link to The Art of Self Branding, a website that she developed based on her presentation at the conference.

Everyone is either a creator or a user of web design these days. No matter what the future of web design turns out to be, it’s going to matter to us all.

Cross posted at BlogHer.

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Presentation: Ten Checkpoints of a Web Standards Based Curriculum

I presented this at HighEdWebDev 2007 today. It was presented as a powerpoint presentation. My narrative explained that this presentation was mainly about what sort of student learning outcomes I would expect to see in an institution where web standards were part of the curriculum. I did touch on a couple of important overall considerations as well.

I have captured only the slides and converted them into a movie. There is no sound. Please return to this post if you have comments or questions.

View the movie.

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